Showing posts with label #collaboration. Show all posts
Showing posts with label #collaboration. Show all posts

Sunday, 11 May 2025

The Power of ‘Word’: Why Students Should Blog, Especially in a Manaiakalani Setting

Blogging is a powerful tool for student learning and expression, offering lots of benefits that extend beyond the traditional classroom. When integrated within a pedagogical framework like Manaiakalani, the impact of student blogging is amplified, fostering connected, visible, and empowered learners.
(Click on image to go to Scarlett's blog post)

Above, the image is linked a student blog. The student is able to present their process along with their finished work and reflect as little or as much as they are comfortable doing. I had very little to do with provocations or scripting this particular post, as the student was ahead of their classmates. With possibilities of directed provocation, scaffolding and kaiako guidance, it might have looked different, OR it might not have been authentic. In saying that, once a student begins their writing, how much can I really 'control' the process even with provocations and templates, in a class of 25? How much should I control?

At its core, blogging provides students with an authentic platform to develop and refine thinking, communication and writing skills. The above example can be seen as a starting point, or it could be enough of an artefact of learning process that is stays as is. Nevertheless, the act of writing for a potential audience, (whether this is classmates, whānau, or the wider online community), encourages clarity of thought, improved grammar and spelling, and the development of a personal voice. It moves writing beyond an assignment for a single reader (Kaiako) to a meaningful act of communication - whether or not that is read by others. This process naturally enhances literacy skills and builds confidence in one’s writing abilities.

Beyond basic literacy, blogging develops critical thinking and the ability to analyse, as you have to research, organise your thoughts, and articulate/speak your understanding of a topic. The interactive potential of blogs, through comments and feedback, helps foster communication and collaboration. This small act helps to teach students how to engage in constructive dialogue and respond thoughtfully to others' points of view. In an increasingly globalised world, blogging provides students with valuable digital literacy skills, including cybersmart tools and responsible digital citizenship.

The Manaiakalani pedagogy of "Learn, Create, Share," provides a base for student blogging to develop and evolve. The "Learn|Ako" learning aspects see students acquiring knowledge and developing understanding. The "Create|Waihanga" learning aspects are where blogging becomes a natural and powerful tool for students to process, synthesise, and construct their own understanding by creating blog posts. The fact that students can and should include multi-modal elements to support an engaging post, enhances this. Communication and articulation of ideas and theories becomes more than ’word’. The "Share|Tohatoha" learning aspects are inherently embedded in blogging, as students publish their work online, making their learning visible and accessible to an authentic audience. (note; blogging is not and never intended to be the only way ākonga express and engage in sharing).

Ubiquity, Agency, Connectedness, and Visibility; central tenets to the Manaiakalani approach, are significantly supported by student blogging:

  • Ubiquity: allowing learning and sharing to happen anywhere, anytime, extending the learning environment beyond the classroom. Students can access and update their blogs from any internet-driven device, making learning a continuous process.

  • Agency: Empowering  students, by giving them ownership over their learning; a platform to express their ideas and perspectives. They can make choices about what to write, how to present it, and how to interact with their audience, encouraging independence and self-direction.

  • Connectedness: Connecting students with their peers, kaiako, whānau and potentially a global audience. This provides a genuine purpose for their writing and opens up opportunities for collaboration, feedback, and exposure to other’s points of view.

  • Visibility: This is one of the most significant impacts of blogging. Students' progress, understanding, and creativity are made evident through their blog posts. It allows kaiako, whānau, and the community to see and support their learning journey. Transparency also encourages student reflection on their own learning process.

In conclusion, encouraging students to blog offers a wide array of educational benefits, as researched and proven by both Woolf Fisher and in turn the Manaiakalani research team over the past two decades; from improved literacy and critical thinking, to enhanced digital skills and self-confidence. Because it is embedded within the forward-thinking pedagogy of Manaiakalani, championing learning, creation, and sharing in a connected and visible environment, blogging becomes an even more potent tool for empowering students and accelerating their achievement in a setting where we know, with our own kāhui ako data, they oftentimes (but absolutely not exclusively) begin with a deficit of learning of between 18 months and three years.


Sunday, 30 April 2017

2017 Inquiry Update

Professional accountability in amongst self-perpetuated chaos. That might be a slight exaggeration. But, the decision to split up teachers whilst we had mixed the levels and disciplines of our classes is from an outsiders perspective, just confusing. And it leaves us teachers open to lose track of students and not spread attention equally and effectively.

The inquiry question is: Can teacher collaboration improve student achievement in senior art? 

The use of google sheets to track the students and keep ourselves in check. However, it is not us two yet collaborating. it effectively tracks our thoughts as we check through with each student and hopefully provides clear feedback for students. But, we are not yet collaborating in the true sense of the word.

I like how we are using it, as it has changed since we started with it.



There are some barriers to doing that effectively:

- Cindy is part time, though at 16 hours, her life should not revolve around being at school when I feel like talking about this!
- Four of her hours a week are on the other side of the school, jokingly referred to as Siberia (rebuild logistics), timeliness to classes following a Siberian lesson is costing us.
- Home time for both of us is precious and necessary due to our own circumstances (We don't live at school, nor will we be planning to take this up to solve the issue).
- After school time is stretched across a lot of demands - staff meetings, task forces, learning team meetings...
- I annoyingly use the Art room office as a Dean's office because there isn't space for me elsewhere while the rebuild is on.
- I get caught up with the pastoral side of my job more than I should if I'm balancing things fairly.
- We never will have a timetabled non-contact together... when I'm teaching Cindy is not and vice versa.

There are some solutions to these barriers also (and I am open to others too):

- Working online more effectively. We have done this before, timetabled ourselves to be online at the same time so we can discuss how something is working through 'chat'. but there will be other ways to maximise the actual collaboration that may not require online at the same time.
- Using lunch hours to discuss students progress more frequently... oh fun.
- Being careful to divide my time between my roles and sticking to those time separations. Setting it up in a more timetabled manner.

Wednesday, 1 March 2017

2017 Inquiry


Our Inquiry for Visual Arts this year is a joint one, focussing on how best to spread the load of specialty skills across as many senior students as possible.

Can Teacher Collaboration Improve Student Achievement in Senior Art Classes?

Our progress so far has been to set up the google sheets to track at least the first 6 weeks of each class in the senior school for Art. I would expect these to develop and grow based on how we use them.

There is the intention that these are used to make sure no student is left behind in being given feedback and kept up to speed.

We have also organised to split up the line 3 and 4 classes and share the teaching across those lines. We do have differing styles and expectations so it may take a little time to adjust to this. however, if students are truly working to their own goals and are there for the right reasons, this should come together.

At this point in time we have one over subscribed class of 37, one of 33, one of 13 and one of 22. Because we chose to mix our levels, there was a lack of communication between the three levels in general about numbers, so this is an issue that needs clarifying.

By the end of 2017, I want to be able to say we gave every senior student the best possible chance with teacher expertise available to direct their own learning. I want every student to be able to direct their own learning, rather than lean on the teacher or dismiss their own chances because the right teacher is not there.


Tuesday, 28 June 2016

google drawing card for analysis and why it didnt work

Language. If you don't have it, you can't apply it. Interestingly, as I explained the concepts, it clicked into place, but I still had to keep doing this and in the ned, I really just made  a bunch of kids "repeat after me..."

What I have I learned?
1) they are clever enough there is not deficit with their intellect.
2) It doesn't matter if you are clever, if no one has exposed you to the language to express it
3) All of this correlates to our data on writing.



Shikobi tells me it was alright, but why were my words so confusing?













Next steps:
Go back to language base, and develop it based on breaking down and analysing the curriculum levels. This will be an interesting exercise as I don't think it has been done. If so, there are no easily available resources on it. How would a general teacher expected to cover all subjects at junior levels be expected to manage this? Not cool, TKI!

I used to use flash card, which worked (i love organising things by colour) but were easily lost, not something they could take home and laborious to make a student copy for, let along keep up on maintaining full sets int eh right colours. How to do this digitally.

Also, I want to use a small group of kids that I can take out of a class and work with as opposed to relying on my own art time.

Wednesday, 25 May 2016

SPARK - MIT trial

7 Bk's Class blog.

This is a class I have hardly seen and they cannot keep up with the programme we had initially planned on because of that. Interruptions will continue unfortunately, so I am going to work with them as a trial class.

I will post up the results of this after Thursday

Wednesday, 11 May 2016

Student self assessment - Qualitative Data gathering using google sheets

Spark - MIT have given me the opportunity to explore and figure out a way of developing a way with my students to unpack the curriculum in Visual Arts for themselves. In order to do this successfully, (shoutout Tania Coutts for help with this) I need them to be able to not only self assess, which they do anyway, but to be public and brave about it.

Google sheets is essentially 'live'. 'Protected sheets and ranges' means that I can have multiple editors and lock them down to only what I want them to be able to edit. Qualitative data is significant in understanding how students are managing that top end of the curriculum.

This is where we are at with all of our junior classes. Because it is all of them (13 classes in all) it is a bit of a Himalayan trek to get it all done.


This is a screen shot from one class who are incomplete so far.
Each student can only access their own row. It is colour coded and is my marking schedule anyway for the class, with alterations made to the language, as they tell me some of my criteria were too confusing... They can see what each other are entering right then and there and this can be good or bad. How I manage the culture, as the teacher running the task at the time, is important here. It does take clear explanation first as well.

We are working on refining it with each class and there is differing feedback from each class. So it has to be developed with the class, not for the school.

Thursday, 4 December 2014

9SK Printmaking - being resilient about our mistakes

So, Art students are shocking for this; make a mistake once, HATE the whole page, screw the page up, hide it from the teacher. Deny they have learn't anything, try again, miniscule mistake no one else can see, screw it up AGAIN, 25 minutes later, it's like they have spent half a lesson doing nothing...except they haven't. When you ask casually, they "can't do it, its way too hard..." and your help is apparently not going to remedy this, unless of course you feel like completing the work for them, so that it looks 'perfect'.

Our values are Commitment, Achievement, Resilience and Respect.

Respect is easy to teach, achievement is generally an outcome and you can get there, commitment depends on the context as to how hard it can be to explicitly manage, resilience is the hardest; that pushing past a lack of confidence.

Wednesday - we have run out of time to finish this unit the way I would like to - our final resolution is a mono-print as opposed to a woodcut print. Students have worked through a process to achieve a stylised form, learning from two examples and comparing them - Art Nouveau and Kowhaiwhai. They have lovely drawings. The rule for this lesson, was everything they stuffed up we kept. Everything they got right we kept. The expectation was that they HAD to stuff it up at least twice, and they had to try and rework a 'mistake' to make something interesting from it.

Below are the examples from this class

We will complete this tomorrow, with the students who don't have their ISLA reward. 

Wednesday, 3 December 2014

Year 7 & 8 Extension Progress

On Friday morning, The group of students doing extension Art will be presenting their work through their Hui. I have not been to one of these before, so this will be my first time.

We have had a go at some spray painting to create tonal and textural grounds to work on top of and painting back into these with white paint. This has been a lot more challenging for the students and they have tried really hard.

This has been an interesting learning curve for me in regards to how to manage that learning phase that is not as close to developing abstract thought. Breaking teaching sequences into smaller steps has been more important.

In working on a tonally darker ground, students had to figure out how tone worked in the first place, almost backwards to their traditional learning when it comes to drawing. they already have a mid tone or a dark tone in place, so instead of drawing their mid tones onto the surface with a pencil, pressing harder where they want an area darker, they have to reverse their thinking - applying more white paint or chalk where they want an area of their drawing lighter, leaving the ground in tact where the tone is already there. It's a little like the visual equivalent of patting your head and rubbing your tummy at the same time. Students have to ignore their natural instinct to apply more of their drawing medium to the surface to darken their tone.
Claudia
Cinnamon
Kingston progress

Amber

Jordan


Kingston finished
Kingston Progress
    

Mikayla Progress
Mikayla finished

Tuesday, 2 December 2014

Year 7 and 8 Extension Art Programme

This has been running for the last two and a half weeks. Students were selected by their J block teachers as having shown an aptitude for Art AND being deserving of the opportunity. It does not mean that students are not talented if they didn't get selected, but the numbers were kept small deliberately. The Kete system does allow for the teaching of Art, and students have done some very cool stuff this year with their teachers using the Visual Arts strands.

Students worked on developing an A2 page of drawing centred around themselves. Easy - we started with their name and then extended it out to drawing stuff about them. They took it really seriously and have worked consistently on these, some taking their work home to complete and some staying during break times too.